My imagery has its roots in the ancients, like the Hindu and the Mayan, and the work is archetypal in nature. The forms are primal and naive, and though brut, they are fluid and sophisticated. My creations exemplify Karl Jung's theories of the universal creative unconscious, and they are thus metaphors that emulate the mythologies and commonalities of our species.
Intuitively modeled in clay in an arduous sculptural process, the sculptures are surreal creations covered with intricate motifs. The images are odd, timeless and cosmic. My style is complex, ornate and baroque. It is tactile and visually intriguing, and the works are intended to present a bold look into the aspects of humankind, the obvious and the hidden, the haunting and the humorous. The sculptures are a play on our physical and emotional features, and though the works are titled, the names are but labels. The forms are otherworldly, their interpretations are limitless, and they lend themselves to scenario.
Representational and figurative, my themes are a product of extensive travel, a thousand ink drawings, free expression, immense deliberation, imaginative clay play and labor. The sculptures are fun and funny, satiric and whimsical, and they are dream-like visual representations of my world view. The figures are anthropomorphic creatures, they are grotesque fantastic icons, and they are "Gods for Future Religions." My sculpture is but a peak into my spectacular world, my life's work of more than 300 sculptures.